
Taken
- BPM
- 175
- Half-time
- 88
- Open Key
- 8d
- Energy
- 84/100
- Pop
- 0/100
- Length
- 5:09
- Released
- 2008
- Genre
- Drum N Bass
- Loudness
- -9.4 dB
- ISRC
- GBTGW0803801
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Taken: drum n bass, D♭ major (3B), 175 BPM. The groove is loose and less beat-driven. A 2008 production that still circulates in sets. More underground than 99% of DC Breaks's catalogue.
- Energy:
- calmer than 98% of DC Breaks's catalogue
- Tempo:
- faster than 87% of DC Breaks's catalogue
- Brightness:
- darker than 79% of DC Breaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Taken in?
Taken by DC Breaks is in D♭ major, or 3B on the Camelot wheel.
What BPM is Taken?
Taken runs at 175 BPM.
What mixes well with Taken?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Taken good for peak time?
With energy 84 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 175 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from DC Breaks
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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