Sound Control Rmx
- BPM
- 175
- Half-time
- 88
- Open Key
- 4m
- Energy
- 82/100
- Pop
- 3/100
- Length
- 6:00
- Released
- 1995
- Genre
- Drum N Bass
- Loudness
- -10.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Sound Control Rmx: drum n bass, F♯ minor (11A), 175 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 1995 production that still circulates in sets. Faster than 94% of Andy C's catalogue. In a set it works best as an opener or closing-set piece.
- Energy:
- calmer than 92% of Andy C's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Sound Control Rmx in?
Sound Control Rmx by Andy C is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Sound Control Rmx?
Sound Control Rmx runs at 175 BPM.
What mixes well with Sound Control Rmx?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Sound Control Rmx good for peak time?
With energy 82 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 175 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Andy C
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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