Eventide - Logistics Remix
30s preview
- Key
- 4A · F minor
- BPM
- 175
- Half-time
- 88
- Open Key
- 9m
- Energy
- 83/100
- Pop
- 3/100
- Length
- 4:36
- Released
- 2022
- Album
- Eventide (Logistics Remix)
- Genre
- Drum N Bass
- Loudness
- -4.9 dB
- Dynamics
- 12.7 dB
- ISRC
- QM4TW2240537
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Eventide - Logistics Remix: drum n bass, F minor (4A), 175 BPM. It reads as dark and driving. The groove is loose and less beat-driven. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Faster than 94% of Logistics's catalogue. For programming, treat it as an opener or closing-set piece.
- Groove:
- less groove-driven than 93% of Logistics's catalogue
- Brightness:
- darker than 87% of Logistics's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Eventide - Logistics Remix in?
Eventide - Logistics Remix by Logistics is in F minor, or 4A on the Camelot wheel.
What BPM is Eventide - Logistics Remix?
Eventide - Logistics Remix runs at 175 BPM.
What mixes well with Eventide - Logistics Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Eventide - Logistics Remix good for peak time?
With energy 83 out of 100 at 175 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 175 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 175 — beatmatch without a big tempo pull.
More drum n bass
More from Logistics
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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