Quite Perfect by Logistics cover art

Quite Perfect

Logistics

30s preview

Key
3B · D♭ major
BPM
175
Half-time
88
Open Key
8d
Energy
85/100
Pop
0/100
Length
5:56
Released
2005
Album
The Trip
Genre
Drum N Bass
Loudness
-7.7 dB
Dynamics
16.5 dB
ISRC
GBCJY0586002

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Quite Perfect is a drum n bass track in D♭ major (3B) at 175 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 17 dB). A 2005 production that still circulates in sets. More underground than 99% of Logistics's catalogue.

Brightness:
brighter than 95% of Logistics's catalogue
Tempo:
faster than 94% of Logistics's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy85
Mood90Bright
Groove53
Acoustic0
Instrumental74
Live4
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
22%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Quite Perfect in?

Quite Perfect by Logistics is in D♭ major, or 3B on the Camelot wheel.

What BPM is Quite Perfect?

Quite Perfect runs at 175 BPM.

What mixes well with Quite Perfect?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Quite Perfect good for peak time?

With energy 85 out of 100 at 175 BPM, it works best as an opener or closing-set piece.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

#TrackKey·BPM

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 175 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 164-186 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: an opener or closing-set piece.

Similar tempo

Within ±3 BPM of 175 — beatmatch without a big tempo pull.

#TrackKey·BPM

More drum n bass

#TrackKey·BPM

More from Logistics

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 175 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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