Push Factor - Oxia Remix
30s preview
- BPM
- 126
- Open Key
- 8m
- Energy
- 56/100
- Pop
- 1/100
- Length
- 7:28
- Released
- 2008
- Album
- Push Factor
- Genre
- Tech House
- Label
- SCI + TEC Digital Audio
- Loudness
- -9.3 dB
- Dynamics
- 10.4 dB
- ISRC
- USYLM0801003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Push Factororiginal3B · 126
- Push Factor - Big Room Dubversion3B · 126
Against the original (3B at 126 BPM), this version holds the same tempo and moves the key from 3B to 3A.
At 126 BPM in B♭ minor (3A), Push Factor - Oxia Remix is a club-tempo tech house production. Tonally it lands dark and steady. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2008 production that still circulates in sets. Calmer than 93% of Christian Smith's catalogue. In a set it works best as a mid-set roller.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 16%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Push Factor - Oxia Remix in?
Push Factor - Oxia Remix by Christian Smith is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Push Factor - Oxia Remix?
Push Factor - Oxia Remix runs at 126 BPM, a club-tempo track.
What mixes well with Push Factor - Oxia Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Push Factor - Oxia Remix good for peak time?
With energy 56 out of 100 at 126 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 126 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More tech house
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
