NYC - Doomwork Remix
30s preview
- Key
- 8A · A minor
- BPM
- 125
- Open Key
- 1m
- Energy
- 62/100
- Pop
- 0/100
- Length
- 8:52
- Released
- 2012
- Album
- NYC
- Genre
- House
- Label
- 100% Pure
- Loudness
- -9.3 dB
- Dynamics
- 13.2 dB
- ISRC
- NLR341010061
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- NYCoriginal5A · 126
Against the original (5A at 126 BPM), this version runs 1 BPM slower and moves the key from 5A to 8A.
NYC - Doomwork Remix is a club-tempo house track in A minor (8A) at 125 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2012 production that still circulates in sets. More underground than 99% of Christian Smith's catalogue.
- Groove:
- groovier than 98% of Christian Smith's catalogue
- Brightness:
- brighter than 97% of Christian Smith's catalogue
- Energy:
- calmer than 87% of Christian Smith's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is NYC - Doomwork Remix in?
NYC - Doomwork Remix by Christian Smith is in A minor, or 8A on the Camelot wheel.
What BPM is NYC - Doomwork Remix?
NYC - Doomwork Remix runs at 125 BPM, a club-tempo track.
What mixes well with NYC - Doomwork Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is NYC - Doomwork Remix good for peak time?
With energy 62 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 125 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Christian Smith
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
