Here We Are - Main Mix
30s preview
- BPM
- 125
- Open Key
- 5d
- Energy
- 62/100
- Pop
- 0/100
- Length
- 6:42
- Released
- 2019
- Album
- Here We Are
- Genre
- House
- Loudness
- -8.8 dB
- Dynamics
- 10.7 dB
- ISRC
- FR10S1932173
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Here We Are - Main Mix Editversion9A · 125
- Here We Are - Perc Mixoriginal1B · 125
- Here We Are - Perc Mix Editversion1B · 125
Here We Are - Main Mix runs 125 BPM in E major (12B), a club-tempo house record. It reads as bright and euphoric. The groove is strong and floor-ready. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Wankelmut's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- brighter than 85% of Wankelmut's catalogue
- Energy:
- calmer than 78% of Wankelmut's catalogue
- Tempo:
- faster than 75% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Here We Are - Main Mix in?
Here We Are - Main Mix by Wankelmut is in E major, or 12B on the Camelot wheel.
What BPM is Here We Are - Main Mix?
Here We Are - Main Mix runs at 125 BPM, a club-tempo track.
What mixes well with Here We Are - Main Mix?
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is Here We Are - Main Mix good for peak time?
With energy 62 out of 100 at 125 BPM, it works best as a mid-set roller.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 125 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
