Soul Patrol
- Key
- 7A · D minor
- BPM
- 121
- Open Key
- 12m
- Energy
- 61/100
- Pop
- 9/100
- Length
- 5:52
- Released
- 2017
- Genre
- Deep House
- Label
- Large Music
- Loudness
- -7.7 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo deep house cut, Soul Patrol sits in D minor (7A) at 121 BPM. The mix is almost entirely instrumental. A 2017 production that still circulates in sets. Groovier than 99% of Chris Stussy's catalogue.
- Energy:
- calmer than 96% of Chris Stussy's catalogue
- Brightness:
- darker than 96% of Chris Stussy's catalogue
- Tempo:
- slower than 90% of Chris Stussy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Soul Patrol in?
Soul Patrol by Chris Stussy is in D minor, or 7A on the Camelot wheel.
What BPM is Soul Patrol?
Soul Patrol runs at 121 BPM, a club-tempo track.
What mixes well with Soul Patrol?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is Soul Patrol good for peak time?
With energy 61 out of 100 at 121 BPM, it works best as a mid-set roller.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 121 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 114-128 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 121 — beatmatch without a big tempo pull.
More deep house
More from Chris Stussy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 121 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
