Do It 4 Love by Chris Stussy cover art

Do It 4 Love

Chris Stussy

30s preview

Key
9B · G major
BPM
120
Open Key
2d
Energy
90/100
Pop
4/100
Length
7:00
Released
2016
Genre
Deep House
Label
Large Music
Loudness
-6.9 dB
Dynamics
11.2 dB
ISRC
US2251622602

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in G major (9B), Do It 4 Love is a club-tempo deep house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. Slower than 97% of Chris Stussy's catalogue. In a set it works best as a floor-filler.

Groove:
groovier than 86% of Chris Stussy's catalogue
Reach:
more underground than 78% of Chris Stussy's catalogue
Energy:
hotter than 76% of Chris Stussy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy90
Mood70Bright
Groove82
Acoustic0
Instrumental92
Live6
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
27%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Do It 4 Love in?

Do It 4 Love by Chris Stussy is in G major, or 9B on the Camelot wheel.

What BPM is Do It 4 Love?

Do It 4 Love runs at 120 BPM, a club-tempo track.

What mixes well with Do It 4 Love?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Do It 4 Love good for peak time?

With energy 90 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More deep house

More from Chris Stussy

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track