Something Half Way - Club Mix by Chris Liebing cover art

Something Half Way - Club Mix

Chris Liebing

Key
4B · A♭ major
BPM
130
Open Key
9d
Energy
53/100
Pop
3/100
Length
6:43
Released
2021
Album
Something Half Way (Club Mix)
Genre
Techno
Label
Mute
Loudness
-9.6 dB
ISRC
GBR8R2100256

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (7B at 125 BPM), this version runs 5 BPM faster and moves the key from 7B to 4B.

Something Half Way - Club Mix is a peak-time tempo techno track in A♭ major (4B) at 130 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Brighter than 91% of Chris Liebing's catalogue. In a set it works best as a mid-set roller.

Energy:
calmer than 90% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy53
Mood55Balanced
Groove73
Acoustic0
Instrumental91
Live10
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Something Half Way - Club Mix in?

Something Half Way - Club Mix by Chris Liebing is in A♭ major, or 4B on the Camelot wheel.

What BPM is Something Half Way - Club Mix?

Something Half Way - Club Mix runs at 130 BPM, a peak-time tempo track.

What mixes well with Something Half Way - Club Mix?

From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.

Is Something Half Way - Club Mix good for peak time?

With energy 53 out of 100 at 130 BPM, it works best as a mid-set roller.

Mixes harmonically

4B3B · 5B · 4A

From 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.

#Track

Every move from 4B

5BSimple Mix Upper
3BSimple Mix Downer
4ATonal Shift·
5ADiagonal Mix Upper
3ADiagonal Mix Downer
7ACompatible Tone·
6BHigh Energy Boost▲▲▲
2BHigh Energy Drain▼▼▼
7BParallel Key Upper▲▲
1BParallel Key Downer▼▼
11BTritone Jump▲▲
8BRelated Keyrisky

How to mix it

In 4B at 130 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.

Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 130 — beatmatch without a big tempo pull.

#Track

More techno

More from Chris Liebing

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track