Magnit Tool 2 - Tool2 by Chris Liebing cover art

Magnit Tool 2 - Tool2

Chris Liebing

30s preview

Key
11A · F♯ minor
BPM
125
Open Key
4m
Energy
100/100
Pop
0/100
Length
9:21
Released
2008
Album
Magnit EP
Genre
Techno
Loudness
-12.1 dB
Dynamics
25.1 dB
ISRC
NLFC80800005

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

At 125 BPM in F♯ minor (11A), Magnit Tool 2 - Tool2 is a club-tempo techno production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 25 dB). A 2008 production that still circulates in sets. Darker than 99% of Chris Liebing's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Chris Liebing's catalogue
Low end:
more treble-tilted than 99% of Chris Liebing's catalogue
Energy:
hotter than 91% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood3Dark
Groove77
Acoustic61
Instrumental82
Live5
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
18%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
29%
Upper-mid
570 Hz-2.5 kHz
22%
High
2.5-11 kHz

FAQ

What key is Magnit Tool 2 - Tool2 in?

Magnit Tool 2 - Tool2 by Chris Liebing is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Magnit Tool 2 - Tool2?

Magnit Tool 2 - Tool2 runs at 125 BPM, a club-tempo track.

What mixes well with Magnit Tool 2 - Tool2?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Magnit Tool 2 - Tool2 good for peak time?

With energy 100 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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