Magnit Tool 2 by Chris Liebing cover art

Magnit Tool 2

Chris Liebing

Key
11A · F♯ minor
BPM
125
Open Key
4m
Energy
100/100
Pop
0/100
Length
9:21
Released
2008
Genre
Techno
Loudness
-12.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

A club-tempo techno cut, Magnit Tool 2 sits in F♯ minor (11A) at 125 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. The timbre leans dark. The master keeps real dynamic headroom. A 2008 production that still circulates in sets. Darker than 99% of Chris Liebing's catalogue. In a set it works best as a peak-time weapon.

Reach:
more underground than 99% of Chris Liebing's catalogue
Energy:
hotter than 91% of Chris Liebing's catalogue
Groove:
groovier than 89% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy100
Mood3Dark
Groove77
Acoustic61
Instrumental82
Live5
Speech7
darkrelaxedvoice

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Magnit Tool 2 in?

Magnit Tool 2 by Chris Liebing is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Magnit Tool 2?

Magnit Tool 2 runs at 125 BPM, a club-tempo track.

What mixes well with Magnit Tool 2?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Magnit Tool 2 good for peak time?

With energy 100 out of 100 at 125 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 100/100).

Similar tempo

Within ±3 BPM of 125 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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