69 - Steve Banks Remix
30s preview
- BPM
- 125
- Open Key
- 3m
- Energy
- 95/100
- Pop
- 0/100
- Length
- 8:20
- Released
- 2010
- Album
- 69 Foem Remixes
- Genre
- Techno
- Loudness
- -6.7 dB
- Dynamics
- 12.5 dB
- ISRC
- GBBVL1002913
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- 69 - Hall North Remixremix1B · 124
- 69 - Harvey McKay Reshapeoriginal3B · 125
- 69 - Kevin Roux & Arvid Remixremix9B · 125
- 69original9B · 126
Against the original (3B at 125 BPM), this version holds the same tempo and moves the key from 3B to 10A.
A club-tempo techno cut, 69 - Steve Banks Remix sits in B minor (10A) at 125 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2010 production that still circulates in sets. More underground than 99% of Harvey McKay's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 92% of Harvey McKay's catalogue
- Low end:
- more treble-tilted than 90% of Harvey McKay's catalogue
- Brightness:
- brighter than 86% of Harvey McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is 69 - Steve Banks Remix in?
69 - Steve Banks Remix by Harvey McKay is in B minor, or 10A on the Camelot wheel.
What BPM is 69 - Steve Banks Remix?
69 - Steve Banks Remix runs at 125 BPM, a club-tempo track.
What mixes well with 69 - Steve Banks Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is 69 - Steve Banks Remix good for peak time?
With energy 95 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 95/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Harvey McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
