Hollow Town (Frank Wiedemann Remix) by Chris Liebing cover art

Hollow Town (Frank Wiedemann Remix)

Chris Liebing

30s preview

Key
9B · G major
BPM
131
Open Key
2d
Energy
83/100
Pop
4/100
Length
7:22
Released
2022
Genre
Techno
Label
Mute
Loudness
-14.4 dB
Dynamics
11.0 dB
ISRC
GBR8R2200155

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (9B at 90 BPM), this version runs 41 BPM faster in the same key.

Hollow Town (Frank Wiedemann Remix): peak-time tempo techno, G major (9B), 131 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 11 dB). More bass-heavy than 85% of Chris Liebing's catalogue. For programming, treat it as a peak-time weapon.

Reach:
better known than 77% of Chris Liebing's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood15Dark
Groove69
Acoustic0
Instrumental82
Live6
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
48%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
12%
Upper-mid
570 Hz-2.5 kHz
12%
High
2.5-11 kHz

FAQ

What key is Hollow Town (Frank Wiedemann Remix) in?

Hollow Town (Frank Wiedemann Remix) by Chris Liebing is in G major, or 9B on the Camelot wheel.

What BPM is Hollow Town (Frank Wiedemann Remix)?

Hollow Town (Frank Wiedemann Remix) runs at 131 BPM, a peak-time tempo track.

What mixes well with Hollow Town (Frank Wiedemann Remix)?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is Hollow Town (Frank Wiedemann Remix) good for peak time?

With energy 83 out of 100 at 131 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 131 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 83/100).

Similar tempo

Within ±3 BPM of 131 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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