Bursting Flames - Original Mix
30s preview
- BPM
- 131
- Open Key
- 5m
- Energy
- 83/100
- Pop
- 0/100
- Length
- 6:12
- Released
- 2019
- Album
- Confused
- Genre
- Techno
- Loudness
- -8.9 dB
- Dynamics
- 9.2 dB
- ISRC
- UKACT1911804
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Bursting Flames - Joe Blake Remixremix3B · 130
A peak-time tempo techno cut, Bursting Flames - Original Mix sits in D♭ minor (12A) at 131 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Chris Veron's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 94% of Chris Veron's catalogue
- Tempo:
- faster than 80% of Chris Veron's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Bursting Flames - Original Mix in?
Bursting Flames - Original Mix by Chris Veron is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Bursting Flames - Original Mix?
Bursting Flames - Original Mix runs at 131 BPM, a peak-time tempo track.
What mixes well with Bursting Flames - Original Mix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Bursting Flames - Original Mix good for peak time?
With energy 83 out of 100 at 131 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 131 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 123-139 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 83/100).
Similar tempo
Within ±3 BPM of 131 — beatmatch without a big tempo pull.
More techno
More from Chris Veron
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 131 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.