Wha Gwarn? - London Bars Vol. III
30s preview
- Key
- 9B · G major
- BPM
- 137
- Open Key
- 2d
- Energy
- 92/100
- Pop
- 25/100
- Length
- 3:34
- Released
- 2015
- Album
- Wha Gwarn? (London Bars Vol. III)
- Genre
- Drum N Bass
- Loudness
- -4.4 dB
- Dynamics
- 9.6 dB
- ISRC
- GBUM71507093
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Wha Gwarn? - London Bars Vol. III: driving up-tempo drum n bass, G major (9B), 137 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. A 2015 production that still circulates in sets. Brighter than 94% of Chase & Status's catalogue.
- Groove:
- groovier than 89% of Chase & Status's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Wha Gwarn? - London Bars Vol. III in?
Wha Gwarn? - London Bars Vol. III by Chase & Status is in G major, or 9B on the Camelot wheel.
What BPM is Wha Gwarn? - London Bars Vol. III?
Wha Gwarn? - London Bars Vol. III runs at 137 BPM, a driving up-tempo track.
What mixes well with Wha Gwarn? - London Bars Vol. III?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Wha Gwarn? - London Bars Vol. III good for peak time?
With energy 92 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 137 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More drum n bass
More from Chase & Status
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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