Listenin' to the Records on My Wall
30s preview
- Key
- 6A · G minor
- BPM
- 137
- Open Key
- 11m
- Energy
- 94/100
- Pop
- 9/100
- Length
- 3:27
- Released
- 2010
- Album
- Outside The Box (Expanded Edition)
- Genre
- Dubstep
- Loudness
- -6.5 dB
- Dynamics
- 14.4 dB
- ISRC
- GBQGW1010008
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Listenin' to the Records on My Wall is a driving up-tempo dubstep track in G minor (6A) at 137 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). A 2010 production that still circulates in sets. Hotter than 92% of Skream's catalogue. In a set it works best as a peak-time weapon.
- Brightness:
- brighter than 91% of Skream's catalogue
- Groove:
- less groove-driven than 78% of Skream's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Listenin' to the Records on My Wall in?
Listenin' to the Records on My Wall by Skream is in G minor, or 6A on the Camelot wheel.
What BPM is Listenin' to the Records on My Wall?
Listenin' to the Records on My Wall runs at 137 BPM, a driving up-tempo track.
What mixes well with Listenin' to the Records on My Wall?
From 6A it blends harmonically with 7A, 6B, 5A. Moving to 7A lifts the energy a step.
Is Listenin' to the Records on My Wall good for peak time?
With energy 94 out of 100 at 137 BPM, it works best as a peak-time weapon.
Mixes harmonically
6A → 5A · 7A · 6BFrom 6A, 7A (D minor) lifts the energy a step; 6B (B♭ major) brightens to the relative major; 5A (C minor) cools the energy down a step.
How to mix it
In 6A at 137 BPM: 7A (D minor) — move to 7A to push the floor harder; 6B (B♭ major) — switch to 6B for a mood change without losing the groove; 5A (C minor) — drop to 5A to bring the room down gently.
Pitch range at ±6%: 129-145 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 1A rather than 6A; below -5% it reads as 11A. With key lock on, it stays 6A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 137 — beatmatch without a big tempo pull.
More dubstep
More from Skream
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 137 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.