Moving All Around (Jumpin') (feat. Kim English) - Skream's This Is How We Do It Down South Remix
- BPM
- 138
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 13/100
- Length
- 3:21
- Released
- 2023
- Album
- Moving All Around (Jumpin') (feat. Kim English) [Skream's This Is How We Do It Down South Remix]
- Genre
- Dubstep
- Loudness
- -5.5 dB
- ISRC
- GBCEN2300001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 138 BPM in B♭ minor (3A), Moving All Around (Jumpin') (feat. Kim English) - Skream's This Is How We Do It Down South Remix is a driving up-tempo dubstep production. The feel is punchy, neutral in mood. The mix is almost entirely instrumental. Brighter than 85% of Skream's catalogue. For programming, treat it as a peak-time weapon.
- Reach:
- better known than 75% of Skream's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Moving All Around (Jumpin') (feat. Kim English) - Skream's This Is How We Do It Down South Remix in?
Moving All Around (Jumpin') (feat. Kim English) - Skream's This Is How We Do It Down South Remix by Skream is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Moving All Around (Jumpin') (feat. Kim English) - Skream's This Is How We Do It Down South Remix?
Moving All Around (Jumpin') (feat. Kim English) - Skream's This Is How We Do It Down South Remix runs at 138 BPM, a driving up-tempo track.
What mixes well with Moving All Around (Jumpin') (feat. Kim English) - Skream's This Is How We Do It Down South Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Moving All Around (Jumpin') (feat. Kim English) - Skream's This Is How We Do It Down South Remix good for peak time?
With energy 84 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 138 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 84/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More dubstep
More from Skream
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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