Good Fellas by Monika Kruse cover art

Good Fellas

Monika Kruse

Key
1A · A♭ minor
BPM
138
Open Key
6m
Energy
88/100
Pop
10/100
Length
8:34
Released
2004
Genre
Techno
Loudness
-10.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A driving up-tempo techno cut, Good Fellas sits in A♭ minor (1A) at 138 BPM. Tonally it lands punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2004 production that still circulates in sets. Faster than 84% of Monika Kruse's catalogue. In a set it works best as a peak-time weapon.

Brightness:
brighter than 83% of Monika Kruse's catalogue
Reach:
better known than 77% of Monika Kruse's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood50Balanced
Groove73
Acoustic0
Instrumental92
Live10
Speech6

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Good Fellas in?

Good Fellas by Monika Kruse is in A♭ minor, or 1A on the Camelot wheel.

What BPM is Good Fellas?

Good Fellas runs at 138 BPM, a driving up-tempo track.

What mixes well with Good Fellas?

From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.

Is Good Fellas good for peak time?

With energy 88 out of 100 at 138 BPM, it works best as a peak-time weapon.

Mixes harmonically

1A12A · 2A · 1B

From 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.

#Track

Every move from 1A

2ASimple Mix Upper
12ASimple Mix Downer
1BTonal Shift·
2BDiagonal Mix Upper
12BDiagonal Mix Downer
10BCompatible Tone·
3AHigh Energy Boost▲▲▲
11AHigh Energy Drain▼▼▼
4AParallel Key Upper▲▲
10AParallel Key Downer▼▼
8ATritone Jump▲▲
5ARelated Keyrisky

How to mix it

In 1A at 138 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.

Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 138 — beatmatch without a big tempo pull.

More techno

#Track

More from Monika Kruse

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track