Toad by Cari Lekebusch cover art

30s preview

Key
10A · B minor
BPM
126
Open Key
3m
Energy
64/100
Pop
9/100
Length
6:13
Released
2016
Album
Toad vs Cicada
Genre
Techno
Label
H. Productions
Loudness
-9.6 dB
Dynamics
8.4 dB
ISRC
SE3JM1501701

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Toad: club-tempo techno, B minor (10A), 126 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2016 production that still circulates in sets. Darker than 98% of Cari Lekebusch's catalogue. For programming, treat it as a mid-set roller.

Reach:
better known than 94% of Cari Lekebusch's catalogue
Energy:
calmer than 89% of Cari Lekebusch's catalogue
Groove:
groovier than 85% of Cari Lekebusch's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy64
Mood4Dark
Groove81
Acoustic4
Instrumental89
Live11
Speech9

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
44%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
16%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Toad in?

Toad by Cari Lekebusch is in B minor, or 10A on the Camelot wheel.

What BPM is Toad?

Toad runs at 126 BPM, a club-tempo track.

What mixes well with Toad?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Toad good for peak time?

With energy 64 out of 100 at 126 BPM, it works best as a mid-set roller.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 126 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 126 — beatmatch without a big tempo pull.

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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