Can You Dig It - Matteo DiMarr Remix
30s preview
- Key
- 4A · F minor
- BPM
- 126
- Open Key
- 9m
- Energy
- 85/100
- Pop
- 1/100
- Length
- 6:06
- Released
- 2010
- Album
- Can You Dig It
- Genre
- House
- Label
- Vice Records
- Loudness
- -6.7 dB
- Dynamics
- 13.9 dB
- ISRC
- GBKQU1026988
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Can You Dig It - Original Mixoriginal6A · 126
- Can You Dig It - Dean Newton's Baseball Furies Remixremix9B · 126
- Can You Dig Itoriginal6A · 126
- Can You Dig It - Peeta Remixremix10A · 126
Against the original (6A at 126 BPM), this version holds the same tempo and moves the key from 6A to 4A.
At 126 BPM in F minor (4A), Can You Dig It - Matteo DiMarr Remix is a club-tempo house production. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). A 2010 production that still circulates in sets. Groovier than 89% of CamelPhat's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 84% of CamelPhat's catalogue
- Low end:
- more treble-tilted than 77% of CamelPhat's catalogue
- Reach:
- more underground than 76% of CamelPhat's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Can You Dig It - Matteo DiMarr Remix in?
Can You Dig It - Matteo DiMarr Remix by CamelPhat is in F minor, or 4A on the Camelot wheel.
What BPM is Can You Dig It - Matteo DiMarr Remix?
Can You Dig It - Matteo DiMarr Remix runs at 126 BPM, a club-tempo track.
What mixes well with Can You Dig It - Matteo DiMarr Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Can You Dig It - Matteo DiMarr Remix good for peak time?
With energy 85 out of 100 at 126 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 126 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 85/100).
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More house
More from CamelPhat
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
