Dust to Dust
- BPM
- 125
- Open Key
- 8m
- Energy
- 38/100
- Pop
- 0/100
- Length
- 6:55
- Released
- 2017
- Genre
- House
- Loudness
- -10.8 dB
- ISRC
- ZAGP91700003
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo house cut, Dust to Dust sits in B♭ minor (3A) at 125 BPM. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More underground than 99% of Caiiro's catalogue.
- Energy:
- calmer than 96% of Caiiro's catalogue
- Groove:
- groovier than 96% of Caiiro's catalogue
- Brightness:
- brighter than 96% of Caiiro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dust to Dust in?
Dust to Dust by Caiiro is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Dust to Dust?
Dust to Dust runs at 125 BPM, a club-tempo track.
What mixes well with Dust to Dust?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Dust to Dust good for peak time?
With energy 38 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Caiiro
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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