Dead Fish
- BPM
- 125
- Open Key
- 4m
- Energy
- 36/100
- Pop
- 0/100
- Length
- 6:39
- Released
- 2009
- Album
- Volume 10
- Genre
- Tech House
- Loudness
- -20.0 dB
- ISRC
- NLCK40900792
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Dead Fish: club-tempo tech house, F♯ minor (11A), 125 BPM. It reads as brooding and low-slung. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2009 production that still circulates in sets. Calmer than 99% of Mihalis Safras's catalogue. For programming, treat it as a warm-up or breakdown cut.
- Reach:
- more underground than 99% of Mihalis Safras's catalogue
- Brightness:
- darker than 77% of Mihalis Safras's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Dead Fish in?
Dead Fish by Mihalis Safras is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Dead Fish?
Dead Fish runs at 125 BPM, a club-tempo track.
What mixes well with Dead Fish?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Dead Fish good for peak time?
With energy 36 out of 100 at 125 BPM, it works best as a warm-up or breakdown cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 125 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a warm-up or breakdown cut — early set or after a peak to reset the room.
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Mihalis Safras
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.