Your Voice
30s preview
- BPM
- 120
- Open Key
- 3d
- Energy
- 68/100
- Pop
- 43/100
- Length
- 5:55
- Released
- 2020
- Genre
- House
- Label
- Madorasindahouse
- Loudness
- -10.6 dB
- Dynamics
- 15.4 dB
- ISRC
- QM6P42010032
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Your Voice - Adam Port Remixremix10A · 122
- Your Voice - Enoo Napa Remixremix2B · 120
- Your Voice - Radio Editversion11A · 120
Your Voice: club-tempo house, D major (10B), 120 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 15 dB). Better known than 96% of Caiiro's catalogue. In a set it works best as a mid-set roller.
- Brightness:
- darker than 94% of Caiiro's catalogue
- Tempo:
- slower than 83% of Caiiro's catalogue
- Groove:
- groovier than 82% of Caiiro's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Your Voice in?
Your Voice by Caiiro is in D major, or 10B on the Camelot wheel.
What BPM is Your Voice?
Your Voice runs at 120 BPM, a club-tempo track.
What mixes well with Your Voice?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Your Voice good for peak time?
With energy 68 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 120 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
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Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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