Dreamers & Dreams (original mix)
30s preview
- Key
- 8A · A minor
- BPM
- 138
- Open Key
- 1m
- Energy
- 97/100
- Pop
- 1/100
- Length
- 4:19
- Released
- 2013
- Genre
- Trance
- Loudness
- -6.2 dB
- Dynamics
- 10.4 dB
- ISRC
- NLF711310907
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A driving up-tempo trance cut, Dreamers & Dreams (original mix) sits in A minor (8A) at 138 BPM. It reads as dark and driving. The groove is loose and less beat-driven. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Less groove-driven than 99% of Bryan Kearney's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- slower than 81% of Bryan Kearney's catalogue
- Reach:
- more underground than 76% of Bryan Kearney's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Dreamers & Dreams (original mix) in?
Dreamers & Dreams (original mix) by Bryan Kearney is in A minor, or 8A on the Camelot wheel.
What BPM is Dreamers & Dreams (original mix)?
Dreamers & Dreams (original mix) runs at 138 BPM, a driving up-tempo track.
What mixes well with Dreamers & Dreams (original mix)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Dreamers & Dreams (original mix) good for peak time?
With energy 97 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 138 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More trance
More from Bryan Kearney
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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