Kome Kloser (The Closing Track) - Radio Edit
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 54/100
- Pop
- 0/100
- Length
- 5:32
- Released
- 2019
- Album
- Kome Kloser (The Closing Track)
- Genre
- Progressive House
- Label
- Oko Recordings
- Loudness
- -11.6 dB
- ISRC
- GBKQU1984131
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Kome Kloser (The Closing Track)original8A · 120
- Kome Kloser (The Closing Track) - djimboh Remixremix9B · 122
Against the original (8A at 120 BPM), this version holds the same tempo in the same key.
Kome Kloser (The Closing Track) - Radio Edit: club-tempo progressive house, A minor (8A), 120 BPM. The feel is dark and steady. The master keeps real dynamic headroom. More underground than 99% of Betoko's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 95% of Betoko's catalogue
- Energy:
- calmer than 91% of Betoko's catalogue
- Groove:
- less groove-driven than 87% of Betoko's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Kome Kloser (The Closing Track) - Radio Edit in?
Kome Kloser (The Closing Track) - Radio Edit by Betoko is in A minor, or 8A on the Camelot wheel.
What BPM is Kome Kloser (The Closing Track) - Radio Edit?
Kome Kloser (The Closing Track) - Radio Edit runs at 120 BPM, a club-tempo track.
What mixes well with Kome Kloser (The Closing Track) - Radio Edit?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Kome Kloser (The Closing Track) - Radio Edit good for peak time?
With energy 54 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Betoko
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
