Set Me Free - Darren Styles Extended Remix
30s preview
- Key
- 1B · B major
- BPM
- 160
- Half-time
- 80
- Open Key
- 6d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 3:57
- Released
- 2025
- Album
- Set Me Free (Darren Styles Remix)
- Genre
- Trance
- Loudness
- -4.5 dB
- Dynamics
- 15.6 dB
- ISRC
- NLF712506452
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Set Me Free - Extended Mixversion1B · 143
- Set Me Freeoriginal1B · 143
- Set Me Free - Rising Star Remixremix1B · 140
- Set Me Free - Darren Styles Remixremix1B · 160
- Set Me Free - Rising Star Extended Remixremix1B · 140
Against the original (1B at 143 BPM), this version runs 17 BPM faster in the same key.
Set Me Free - Darren Styles Extended Remix runs 160 BPM in B major (1B), a very fast trance record. The feel is dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 16 dB). More underground than 99% of Armin van Buuren's catalogue. For programming, treat it as a high-intensity peak cut.
- Tempo:
- faster than 98% of Armin van Buuren's catalogue
- Low end:
- more treble-tilted than 95% of Armin van Buuren's catalogue
- Energy:
- hotter than 94% of Armin van Buuren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Set Me Free - Darren Styles Extended Remix in?
Set Me Free - Darren Styles Extended Remix by Armin van Buuren is in B major, or 1B on the Camelot wheel.
What BPM is Set Me Free - Darren Styles Extended Remix?
Set Me Free - Darren Styles Extended Remix runs at 160 BPM, a very fast track.
What mixes well with Set Me Free - Darren Styles Extended Remix?
From 1B it blends harmonically with 2B, 1A, 12B. Moving to 2B lifts the energy a step.
Is Set Me Free - Darren Styles Extended Remix good for peak time?
With energy 98 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
1B → 12B · 2B · 1AFrom 1B, 2B (F♯ major) lifts the energy a step; 1A (A♭ minor) settles into the relative minor; 12B (E major) cools the energy down a step.
How to mix it
In 1B at 160 BPM: 2B (F♯ major) — move to 2B to push the floor harder; 1A (A♭ minor) — switch to 1A for a mood change without losing the groove; 12B (E major) — drop to 12B to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8B rather than 1B; below -5% it reads as 6B. With key lock on, it stays 1B across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More trance
More from Armin van Buuren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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