Call To You
30s preview
- BPM
- 160
- Half-time
- 80
- Open Key
- 4m
- Energy
- 72/100
- Pop
- 22/100
- Length
- 3:51
- Released
- 2022
- Genre
- Trance
- Loudness
- -9.0 dB
- Dynamics
- 13.4 dB
- ISRC
- NLRD52025923
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Call To You: very fast trance, F♯ minor (11A), 160 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). Faster than 96% of Gareth Emery's catalogue. In a set it works best as a high-intensity peak cut.
- Groove:
- less groove-driven than 84% of Gareth Emery's catalogue
- Energy:
- calmer than 83% of Gareth Emery's catalogue
- Brightness:
- brighter than 82% of Gareth Emery's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Call To You in?
Call To You by Gareth Emery is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Call To You?
Call To You runs at 160 BPM, a very fast track.
What mixes well with Call To You?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Call To You good for peak time?
With energy 72 out of 100 at 160 BPM, it works best as a high-intensity peak cut.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
![Corsten's Countdown 451 Intro [CC451] by Ferry Corsten cover art](https://i.scdn.co/image/ab67616d00001e02aea29dedff192173ae70331f){kind=small}
How to mix it
In 11A at 160 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 150-170 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a high-intensity peak cut.
Similar tempo
Within ±3 BPM of 160 — beatmatch without a big tempo pull.
More trance
More from Gareth Emery
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 160 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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