Witch Doktor - The Possessed Mix
- BPM
- 125
- Open Key
- 3m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 8:32
- Released
- 1994
- Album
- Witch Doktor
- Genre
- House
- Loudness
- -3.9 dB
- ISRC
- USSR39529502
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Witch Doktor (Illyus & Barrientos Radio Edit)version4A · 125
- Witch Doktor (Illyus & Barrientos Remix)remix4A · 125
- Witch Doktor (Serge Santiago Radio Edit)version11B · 125
- Witch Doktor (Serge Santiago Remix)remix11B · 125
- Witch Doktor - Agent Orange DJ 2018 Reworkremix8B · 126
- Witch Doktor - Zedd Remixremix8A · 128
A club-tempo house cut, Witch Doktor - The Possessed Mix sits in B minor (10A) at 125 BPM. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The master is loud and heavily compressed. A 1994 production that still circulates in sets. More underground than 99% of Armand Van Helden's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 76% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Witch Doktor - The Possessed Mix in?
Witch Doktor - The Possessed Mix by Armand Van Helden is in B minor, or 10A on the Camelot wheel.
What BPM is Witch Doktor - The Possessed Mix?
Witch Doktor - The Possessed Mix runs at 125 BPM, a club-tempo track.
What mixes well with Witch Doktor - The Possessed Mix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Witch Doktor - The Possessed Mix good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 125 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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