Stay up Dancing, Get in Monday - 2000 and One & Lauhaus remix
30s preview
- BPM
- 125
- Open Key
- 5m
- Energy
- 91/100
- Pop
- 0/100
- Length
- 7:56
- Released
- 2011
- Album
- Stay up Dancing, Get in Monday
- Genre
- House
- Loudness
- -7.0 dB
- Dynamics
- 12.1 dB
- ISRC
- NLR341050028
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Stay up Dancing, Get in Mondayoriginal3B · 125
- Stay up Dancing, Get in Monday - Darius Syrossian & Daniel Dubb remixremix11A · 124
Against the original (3B at 125 BPM), this version holds the same tempo and moves the key from 3B to 12A.
Stay up Dancing, Get in Monday - 2000 and One & Lauhaus remix is a club-tempo house track in D♭ minor (12A) at 125 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2011 production that still circulates in sets. More underground than 99% of Darius Syrossian's catalogue. For programming, treat it as a peak-time weapon.
- Brightness:
- darker than 86% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Stay up Dancing, Get in Monday - 2000 and One & Lauhaus remix in?
Stay up Dancing, Get in Monday - 2000 and One & Lauhaus remix by Darius Syrossian is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Stay up Dancing, Get in Monday - 2000 and One & Lauhaus remix?
Stay up Dancing, Get in Monday - 2000 and One & Lauhaus remix runs at 125 BPM, a club-tempo track.
What mixes well with Stay up Dancing, Get in Monday - 2000 and One & Lauhaus remix?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Stay up Dancing, Get in Monday - 2000 and One & Lauhaus remix good for peak time?
With energy 91 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 125 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 91/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
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Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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