This Record Goes Right
30s preview
- Key
- 9A · E minor
- BPM
- 125
- Open Key
- 2m
- Energy
- 92/100
- Pop
- 0/100
- Length
- 5:55
- Released
- 2020
- Album
- In da Club
- Genre
- Techno
- Loudness
- -6.8 dB
- Dynamics
- 8.7 dB
- ISRC
- GBJX31998013
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- This Record Goes Right - Djebali Remixremix11B · 125
- This Record Goes Right - Traumer Remixremix10A · 126
This Record Goes Right runs 125 BPM in E minor (9A), a club-tempo techno record. The feel is punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. More underground than 99% of Marco Faraone's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 86% of Marco Faraone's catalogue
- Tempo:
- slower than 83% of Marco Faraone's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 44%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 4%
- High
- 2.5-11 kHz
FAQ
What key is This Record Goes Right in?
This Record Goes Right by Marco Faraone is in E minor, or 9A on the Camelot wheel.
What BPM is This Record Goes Right?
This Record Goes Right runs at 125 BPM, a club-tempo track.
What mixes well with This Record Goes Right?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is This Record Goes Right good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 125 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Marco Faraone
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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