NRG - Skrillex, Kill The Noise, Milo & Otis Remix
- BPM
- 128
- Open Key
- 8d
- Energy
- 87/100
- Pop
- 25/100
- Length
- 4:13
- Released
- 2014
- Album
- NRG
- Genre
- House
- Loudness
- -4.4 dB
- ISRC
- QMSDU2000015
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- NRG - Radio Editversion3B · 128
- NRG - Hudson Mohawke Remixremix4B · 128
- Nrgoriginal4B · 128
Against the original (4B at 128 BPM), this version holds the same tempo and moves the key from 4B to 3B.
NRG - Skrillex, Kill The Noise, Milo & Otis Remix: peak-time tempo house, D♭ major (3B), 128 BPM. It reads as punchy, neutral in mood. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. A 2014 production that still circulates in sets. Better known than 90% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is NRG - Skrillex, Kill The Noise, Milo & Otis Remix in?
NRG - Skrillex, Kill The Noise, Milo & Otis Remix by Armand Van Helden is in D♭ major, or 3B on the Camelot wheel.
What BPM is NRG - Skrillex, Kill The Noise, Milo & Otis Remix?
NRG - Skrillex, Kill The Noise, Milo & Otis Remix runs at 128 BPM, a peak-time tempo track.
What mixes well with NRG - Skrillex, Kill The Noise, Milo & Otis Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is NRG - Skrillex, Kill The Noise, Milo & Otis Remix good for peak time?
With energy 87 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 128 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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