Fallin In Love - Fierce Mix
30s preview
- Key
- 8B · C major
- BPM
- 130
- Open Key
- 1d
- Energy
- 79/100
- Pop
- 13/100
- Length
- 3:37
- Released
- 2024
- Album
- Fallin In Love (Fierce Mix)
- Genre
- House
- Loudness
- -4.4 dB
- Dynamics
- 8.7 dB
- ISRC
- GBCPZ2423768
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fallin In Love - Butch Remixremix7B · 127
- Fallin In Loveoriginal6A · 130
- Fallin In Love - Butch Extended Remixremix8B · 127
- Fallin In Love - Extended Mixversion8B · 130
A peak-time tempo house cut, Fallin In Love - Fierce Mix sits in C major (8B) at 130 BPM. It reads as dark and driving. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Darker than 97% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- less groove-driven than 85% of Armand Van Helden's catalogue
- Reach:
- better known than 79% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Fallin In Love - Fierce Mix in?
Fallin In Love - Fierce Mix by Armand Van Helden is in C major, or 8B on the Camelot wheel.
What BPM is Fallin In Love - Fierce Mix?
Fallin In Love - Fierce Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Fallin In Love - Fierce Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Fallin In Love - Fierce Mix good for peak time?
With energy 79 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
![Queen Of The Night (feat. Dani DeLion) [Radio Slave Remix] - Edit by Radio Slave cover art](https://i.scdn.co/image/ab67616d00001e02105e92a8b578920a3db84d20){kind=small}
How to mix it
In 8B at 130 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.