Lay All Your Love On Me
30s preview
- Key
- 8B · C major
- BPM
- 130
- Open Key
- 1d
- Energy
- 78/100
- Pop
- 25/100
- Length
- 2:57
- Released
- 2023
- Genre
- House
- Loudness
- -3.7 dB
- Dynamics
- 12.7 dB
- ISRC
- GBPQS2300297
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Lay All Your Love On Me - Extended Mixversion8B · 130
Lay All Your Love On Me is a peak-time tempo house track in C major (8B) at 130 BPM. Tonally it lands bright and euphoric. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). Less groove-driven than 98% of Kevin McKay's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 97% of Kevin McKay's catalogue
- Tempo:
- faster than 96% of Kevin McKay's catalogue
- Reach:
- better known than 93% of Kevin McKay's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Lay All Your Love On Me in?
Lay All Your Love On Me by Kevin McKay is in C major, or 8B on the Camelot wheel.
What BPM is Lay All Your Love On Me?
Lay All Your Love On Me runs at 130 BPM, a peak-time tempo track.
What mixes well with Lay All Your Love On Me?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Lay All Your Love On Me good for peak time?
With energy 78 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
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How to mix it
In 8B at 130 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 78/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Kevin McKay
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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