Stanley’s Get Down (No Parking on the DF) - Honey Dijon Remix
- BPM
- 130
- Open Key
- 3d
- Energy
- 80/100
- Pop
- 9/100
- Length
- 7:58
- Released
- 2019
- Album
- Stanley’s Get Down (No Parking on the DF) [Honey Dijon Remix]
- Genre
- House
- Loudness
- -8.9 dB
- ISRC
- GBCFB1900076
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo house cut, Stanley’s Get Down (No Parking on the DF) - Honey Dijon Remix sits in D major (10B) at 130 BPM. It reads as punchy, neutral in mood. Faster than 97% of Honey Dijon's catalogue. In a set it works best as a peak-time weapon.
- Groove:
- less groove-driven than 93% of Honey Dijon's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Stanley’s Get Down (No Parking on the DF) - Honey Dijon Remix in?
Stanley’s Get Down (No Parking on the DF) - Honey Dijon Remix by Honey Dijon is in D major, or 10B on the Camelot wheel.
What BPM is Stanley’s Get Down (No Parking on the DF) - Honey Dijon Remix?
Stanley’s Get Down (No Parking on the DF) - Honey Dijon Remix runs at 130 BPM, a peak-time tempo track.
What mixes well with Stanley’s Get Down (No Parking on the DF) - Honey Dijon Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Stanley’s Get Down (No Parking on the DF) - Honey Dijon Remix good for peak time?
With energy 80 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 130 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Honey Dijon
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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