Fallin In Love - Extended Mix
- Key
- 8B · C major
- BPM
- 130
- Open Key
- 1d
- Energy
- 97/100
- Pop
- 2/100
- Length
- 5:41
- Released
- 2025
- Album
- Fallin In Love (Butch Extended Remix)
- Genre
- House
- Loudness
- -2.4 dB
- ISRC
- GBCPZ2423766
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Fallin In Love - Butch Remixremix7B · 127
- Fallin In Loveoriginal6A · 130
- Fallin In Love - Fierce Mixoriginal8B · 130
- Fallin In Love - Butch Extended Remixremix8B · 127
Against the original (6A at 130 BPM), this version holds the same tempo and moves the key from 6A to 8B.
A peak-time tempo house cut, Fallin In Love - Extended Mix sits in C major (8B) at 130 BPM. The feel is bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. Brighter than 99% of Armand Van Helden's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 95% of Armand Van Helden's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Fallin In Love - Extended Mix in?
Fallin In Love - Extended Mix by Armand Van Helden is in C major, or 8B on the Camelot wheel.
What BPM is Fallin In Love - Extended Mix?
Fallin In Love - Extended Mix runs at 130 BPM, a peak-time tempo track.
What mixes well with Fallin In Love - Extended Mix?
From 8B it blends harmonically with 9B, 8A, 7B. Moving to 9B lifts the energy a step.
Is Fallin In Love - Extended Mix good for peak time?
With energy 97 out of 100 at 130 BPM, it works best as a peak-time weapon.
Mixes harmonically
8B → 7B · 9B · 8AFrom 8B, 9B (G major) lifts the energy a step; 8A (A minor) settles into the relative minor; 7B (F major) cools the energy down a step.
How to mix it
In 8B at 130 BPM: 9B (G major) — move to 9B to push the floor harder; 8A (A minor) — switch to 8A for a mood change without losing the groove; 7B (F major) — drop to 7B to bring the room down gently.
Pitch range at ±6%: 122-138 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3B rather than 8B; below -5% it reads as 1B. With key lock on, it stays 8B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 130 — beatmatch without a big tempo pull.
More house
More from Armand Van Helden
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 130 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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