Turn It Up - James Nidecker Remix
- BPM
- 129
- Open Key
- 4m
- Energy
- 68/100
- Pop
- 0/100
- Length
- 7:42
- Released
- 2012
- Album
- Turn It Up EP
- Genre
- Techno
- Loudness
- -10.2 dB
- ISRC
- GBKQU1203707
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Turn It Up - Kai Randy Michel Remixremix10A · 128
- Turn It Up - Original Mixoriginal10A · 128
- Turn It Up - Ritzi Lee Remixremix9B · 134
Against the original (10A at 128 BPM), this version runs 1 BPM faster and moves the key from 10A to 11A.
Turn It Up - James Nidecker Remix is a peak-time tempo techno track in F♯ minor (11A) at 129 BPM. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2012 production that still circulates in sets. More underground than 99% of AnGy KoRe's catalogue. In a set it works best as a mid-set roller.
- Energy:
- calmer than 84% of AnGy KoRe's catalogue
- Groove:
- groovier than 77% of AnGy KoRe's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Turn It Up - James Nidecker Remix in?
Turn It Up - James Nidecker Remix by AnGy KoRe is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Turn It Up - James Nidecker Remix?
Turn It Up - James Nidecker Remix runs at 129 BPM, a peak-time tempo track.
What mixes well with Turn It Up - James Nidecker Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Turn It Up - James Nidecker Remix good for peak time?
With energy 68 out of 100 at 129 BPM, it works best as a mid-set roller.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 129 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from AnGy KoRe
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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