Sending Them by Charlotte de Witte cover art

Sending Them

Charlotte de Witte

30s preview

Key
12A · D♭ minor
BPM
129
Open Key
5m
Energy
71/100
Pop
12/100
Length
6:01
Released
2017
Genre
Techno
Loudness
-12.3 dB
Dynamics
9.8 dB
ISRC
GBKQU1751922

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo techno cut, Sending Them sits in D♭ minor (12A) at 129 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More bass-heavy than 94% of Charlotte de Witte's catalogue. For programming, treat it as a floor-filler.

Groove:
groovier than 88% of Charlotte de Witte's catalogue
Brightness:
brighter than 84% of Charlotte de Witte's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy71
Mood34Balanced
Groove79
Acoustic1
Instrumental96
Live11
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
52%
Low
30-130 Hz
34%
Low-mid
130-570 Hz
14%
Upper-mid
570 Hz-2.5 kHz
1%
High
2.5-11 kHz

FAQ

What key is Sending Them in?

Sending Them by Charlotte de Witte is in D♭ minor, or 12A on the Camelot wheel.

What BPM is Sending Them?

Sending Them runs at 129 BPM, a peak-time tempo track.

What mixes well with Sending Them?

From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.

Is Sending Them good for peak time?

With energy 71 out of 100 at 129 BPM, it works best as a floor-filler.

Mixes harmonically

12A11A · 1A · 12B

From 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.

Every move from 12A

1ASimple Mix Upper
11ASimple Mix Downer
12BTonal Shift·
1BDiagonal Mix Upper
11BDiagonal Mix Downer
9BCompatible Tone·
2AHigh Energy Boost▲▲▲
10AHigh Energy Drain▼▼▼
3AParallel Key Upper▲▲
9AParallel Key Downer▼▼
7ATritone Jump▲▲
4ARelated Keyrisky

How to mix it

In 12A at 129 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.

Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 129 — beatmatch without a big tempo pull.

#Track

More techno

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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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