
Sending Them
30s preview
- BPM
- 129
- Open Key
- 5m
- Energy
- 71/100
- Pop
- 12/100
- Length
- 6:01
- Released
- 2017
- Genre
- Techno
- Loudness
- -12.3 dB
- Dynamics
- 9.8 dB
- ISRC
- GBKQU1751922
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo techno cut, Sending Them sits in D♭ minor (12A) at 129 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. A 2017 production that still circulates in sets. More bass-heavy than 94% of Charlotte de Witte's catalogue. For programming, treat it as a floor-filler.
- Groove:
- groovier than 88% of Charlotte de Witte's catalogue
- Brightness:
- brighter than 84% of Charlotte de Witte's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 52%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 1%
- High
- 2.5-11 kHz
FAQ
What key is Sending Them in?
Sending Them by Charlotte de Witte is in D♭ minor, or 12A on the Camelot wheel.
What BPM is Sending Them?
Sending Them runs at 129 BPM, a peak-time tempo track.
What mixes well with Sending Them?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is Sending Them good for peak time?
With energy 71 out of 100 at 129 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
How to mix it
In 12A at 129 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 121-137 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 129 — beatmatch without a big tempo pull.
More techno
More from Charlotte de Witte
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 129 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.