Entanglements
30s preview
- Key
- 9A · E minor
- BPM
- 172
- Half-time
- 86
- Open Key
- 2m
- Energy
- 59/100
- Pop
- 25/100
- Length
- 4:39
- Released
- 2024
- Genre
- Drum N Bass
- Loudness
- -9.2 dB
- Dynamics
- 12.3 dB
- ISRC
- UKEWB1600382
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A drum n bass cut, Entanglements sits in E minor (9A) at 172 BPM. Tonally it lands dark and steady. It leans atmospheric over strictly danceable. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Less groove-driven than 97% of Alix Perez's catalogue. For programming, treat it as an opener or closing-set piece.
- Brightness:
- darker than 88% of Alix Perez's catalogue
- Reach:
- better known than 86% of Alix Perez's catalogue
- Energy:
- calmer than 79% of Alix Perez's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Entanglements in?
Entanglements by Alix Perez is in E minor, or 9A on the Camelot wheel.
What BPM is Entanglements?
Entanglements runs at 172 BPM.
What mixes well with Entanglements?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Entanglements good for peak time?
With energy 59 out of 100 at 172 BPM, it works best as an opener or closing-set piece.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 172 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 162-182 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: an opener or closing-set piece.
Similar tempo
Within ±3 BPM of 172 — beatmatch without a big tempo pull.
More drum n bass
More from Alix Perez
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 172 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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