Empty Streets
30s preview
- Key
- 7B · F major
- BPM
- 120
- Open Key
- 12d
- Energy
- 61/100
- Pop
- 3/100
- Length
- 6:15
- Released
- 2019
- Album
- Ringwood
- Genre
- Progressive House
- Loudness
- -13.4 dB
- Dynamics
- 12.1 dB
- ISRC
- QZ5FN1984600
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Empty Streets runs 120 BPM in F major (7B), a club-tempo progressive house record. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). Calmer than 93% of Wassu's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 92% of Wassu's catalogue
- Groove:
- groovier than 88% of Wassu's catalogue
- Tempo:
- slower than 87% of Wassu's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 15%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Empty Streets in?
Empty Streets by Wassu is in F major, or 7B on the Camelot wheel.
What BPM is Empty Streets?
Empty Streets runs at 120 BPM, a club-tempo track.
What mixes well with Empty Streets?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Empty Streets good for peak time?
With energy 61 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Wassu
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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