On a Blue Road
30s preview
- Key
- 5A · C minor
- BPM
- 120
- Open Key
- 10m
- Energy
- 52/100
- Pop
- 16/100
- Length
- 6:11
- Released
- 2016
- Genre
- Deep House
- Loudness
- -12.9 dB
- Dynamics
- 12.4 dB
- ISRC
- GBJX36116016
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo deep house cut, On a Blue Road sits in C minor (5A) at 120 BPM. The feel is balanced in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Groovier than 92% of Viken Arman's catalogue. In a set it works best as a mid-set roller.
- Low end:
- more bass-heavy than 88% of Viken Arman's catalogue
- Brightness:
- brighter than 75% of Viken Arman's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 47%
- Low
- 30-130 Hz
- 34%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 5%
- High
- 2.5-11 kHz
FAQ
What key is On a Blue Road in?
On a Blue Road by Viken Arman is in C minor, or 5A on the Camelot wheel.
What BPM is On a Blue Road?
On a Blue Road runs at 120 BPM, a club-tempo track.
What mixes well with On a Blue Road?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is On a Blue Road good for peak time?
With energy 52 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 120 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Viken Arman
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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