Roads by Rodriguez Jr. cover art
Key
4A · F minor
BPM
120
Open Key
9m
Energy
48/100
Pop
23/100
Length
7:22
Released
2013
Genre
Tech House
Loudness
-10.2 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Roads runs 120 BPM in F minor (4A), a club-tempo tech house record. Tonally it lands balanced in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. Slower than 99% of Rodriguez Jr.'s catalogue. For programming, treat it as a mid-set roller.

Groove:
groovier than 99% of Rodriguez Jr.'s catalogue
Energy:
calmer than 92% of Rodriguez Jr.'s catalogue
Reach:
better known than 84% of Rodriguez Jr.'s catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy48
Mood41Balanced
Groove98
Acoustic0
Instrumental85
Live6
Speech10

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Roads in?

Roads by Rodriguez Jr. is in F minor, or 4A on the Camelot wheel.

What BPM is Roads?

Roads runs at 120 BPM, a club-tempo track.

What mixes well with Roads?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Roads good for peak time?

With energy 48 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

#Track

More from Rodriguez Jr.

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track