The Real Tech - Edit
30s preview
- BPM
- 138
- Open Key
- 8d
- Energy
- 100/100
- Pop
- 3/100
- Length
- 2:50
- Released
- 2023
- Album
- The Real Tech
- Genre
- House
- Loudness
- -4.4 dB
- Dynamics
- 8.7 dB
- ISRC
- USMKQ2300082
- Explicit
- Yes
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- The Real Techoriginal3A · 138
Against the original (3A at 138 BPM), this version holds the same tempo and moves the key from 3A to 3B.
A driving up-tempo house cut, The Real Tech - Edit sits in D♭ major (3B) at 138 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master is loud and heavily compressed. Hotter than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Tempo:
- faster than 99% of Todd Terry's catalogue
- Groove:
- less groove-driven than 97% of Todd Terry's catalogue
- Brightness:
- darker than 94% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is The Real Tech - Edit in?
The Real Tech - Edit by Todd Terry is in D♭ major, or 3B on the Camelot wheel.
What BPM is The Real Tech - Edit?
The Real Tech - Edit runs at 138 BPM, a driving up-tempo track.
What mixes well with The Real Tech - Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is The Real Tech - Edit good for peak time?
With energy 100 out of 100 at 138 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 138 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 130-146 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 138 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 138 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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