Play On (Tee's EQ mix)
30s preview
- Key
- 8A · A minor
- BPM
- 128
- Open Key
- 1m
- Energy
- 80/100
- Pop
- 0/100
- Length
- 5:12
- Released
- 2016
- Genre
- House
- Loudness
- -4.2 dB
- Dynamics
- 11.2 dB
- ISRC
- GBDVG0864101
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A peak-time tempo house cut, Play On (Tee's EQ mix) sits in A minor (8A) at 128 BPM. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Todd Terry's catalogue. For programming, treat it as a peak-time weapon.
- Groove:
- groovier than 94% of Todd Terry's catalogue
- Tempo:
- faster than 93% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Play On (Tee's EQ mix) in?
Play On (Tee's EQ mix) by Todd Terry is in A minor, or 8A on the Camelot wheel.
What BPM is Play On (Tee's EQ mix)?
Play On (Tee's EQ mix) runs at 128 BPM, a peak-time tempo track.
What mixes well with Play On (Tee's EQ mix)?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Play On (Tee's EQ mix) good for peak time?
With energy 80 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 128 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 80/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.