Harlem Lights
30s preview
- BPM
- 128
- Open Key
- 3d
- Energy
- 79/100
- Pop
- 7/100
- Length
- 5:34
- Released
- 2021
- Genre
- House
- Loudness
- -11.7 dB
- Dynamics
- 8.6 dB
- ISRC
- GBKQU2114496
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Harlem Lights - Prunk Remixremix9B · 127
A peak-time tempo house cut, Harlem Lights sits in D major (10B) at 128 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. Darker than 93% of Darius Syrossian's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more bass-heavy than 91% of Darius Syrossian's catalogue
- Energy:
- calmer than 76% of Darius Syrossian's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Harlem Lights in?
Harlem Lights by Darius Syrossian is in D major, or 10B on the Camelot wheel.
What BPM is Harlem Lights?
Harlem Lights runs at 128 BPM, a peak-time tempo track.
What mixes well with Harlem Lights?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Harlem Lights good for peak time?
With energy 79 out of 100 at 128 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 128 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 120-136 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 128 — beatmatch without a big tempo pull.
More house
More from Darius Syrossian
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 128 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
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