Let It Shine - Babert Remix
- Key
- 8A · A minor
- BPM
- 122
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 7/100
- Length
- 5:48
- Released
- 2019
- Album
- Let It Shine (Babert Remix)
- Genre
- House
- Loudness
- -3.8 dB
- ISRC
- CA7C61900250
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let It Shine - Babert Editversion8A · 122
- Let It Shineoriginal11B · 122
- Let It Shine - Tee's Dubversion3B · 122
- Let It Shine - Tee's InHouse Mixoriginal12A · 122
Against the original (11B at 122 BPM), this version holds the same tempo and moves the key from 11B to 8A.
A club-tempo house cut, Let It Shine - Babert Remix sits in A minor (8A) at 122 BPM. Tonally it lands bright and euphoric. The groove is strong and floor-ready. It is vocal-led. The master is loud and heavily compressed. Brighter than 99% of Todd Terry's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 94% of Todd Terry's catalogue
- Reach:
- better known than 85% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Let It Shine - Babert Remix in?
Let It Shine - Babert Remix by Todd Terry is in A minor, or 8A on the Camelot wheel.
What BPM is Let It Shine - Babert Remix?
Let It Shine - Babert Remix runs at 122 BPM, a club-tempo track.
What mixes well with Let It Shine - Babert Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Let It Shine - Babert Remix good for peak time?
With energy 88 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 122 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
![The Piano Thing (Live) [Eathos] by Kerri Chandler cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/bb58f90a6bba632acaf6.webp){kind=small}
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.