Let It Shine
30s preview
- BPM
- 122
- Open Key
- 4d
- Energy
- 92/100
- Pop
- 1/100
- Length
- 3:13
- Released
- 2017
- Genre
- House
- Loudness
- -7.6 dB
- Dynamics
- 13.8 dB
- ISRC
- USMKQ1700081
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Let It Shine - Babert Remixremix8A · 122
- Let It Shine - Babert Editversion8A · 122
- Let It Shine - Tee's Dubversion3B · 122
- Let It Shine - Tee's InHouse Mixoriginal12A · 122
Let It Shine runs 122 BPM in A major (11B), a club-tempo house record. The groove is strong and floor-ready. The master keeps unusual dynamic range for club music (crest 14 dB). A 2017 production that still circulates in sets. Slower than 94% of Todd Terry's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 89% of Todd Terry's catalogue
- Brightness:
- brighter than 84% of Todd Terry's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 19%
- High
- 2.5-11 kHz
FAQ
What key is Let It Shine in?
Let It Shine by Todd Terry is in A major, or 11B on the Camelot wheel.
What BPM is Let It Shine?
Let It Shine runs at 122 BPM, a club-tempo track.
What mixes well with Let It Shine?
From 11B it blends harmonically with 12B, 11A, 10B. Moving to 12B lifts the energy a step.
Is Let It Shine good for peak time?
With energy 92 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
11B → 10B · 12B · 11AFrom 11B, 12B (E major) lifts the energy a step; 11A (F♯ minor) settles into the relative minor; 10B (D major) cools the energy down a step.
How to mix it
In 11B at 122 BPM: 12B (E major) — move to 12B to push the floor harder; 11A (F♯ minor) — switch to 11A for a mood change without losing the groove; 10B (D major) — drop to 10B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6B rather than 11B; below -5% it reads as 4B. With key lock on, it stays 11B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Todd Terry
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
Every insight on this page, for your own library.
Vibes runs this same analysis on the music you own: keys, energy and vibe for every track, organized into sets you can actually play.