Buzzout by Max Chapman cover art

30s preview

Key
10A · B minor
BPM
122
Open Key
3m
Energy
92/100
Pop
0/100
Length
8:31
Released
2014
Genre
Tech House
Loudness
-9.7 dB
Dynamics
13.9 dB
ISRC
GBHAD1400278

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Buzzout is a club-tempo tech house track in B minor (10A) at 122 BPM. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 14 dB). A 2014 production that still circulates in sets. More underground than 99% of Max Chapman's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 92% of Max Chapman's catalogue
Low end:
more treble-tilted than 89% of Max Chapman's catalogue
Groove:
less groove-driven than 75% of Max Chapman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy92
Mood76Bright
Groove80
Acoustic1
Instrumental92
Live64
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
31%
Low
30-130 Hz
26%
Low-mid
130-570 Hz
23%
Upper-mid
570 Hz-2.5 kHz
20%
High
2.5-11 kHz

FAQ

What key is Buzzout in?

Buzzout by Max Chapman is in B minor, or 10A on the Camelot wheel.

What BPM is Buzzout?

Buzzout runs at 122 BPM, a club-tempo track.

What mixes well with Buzzout?

From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.

Is Buzzout good for peak time?

With energy 92 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

10A9A · 11A · 10B

From 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.

#TrackKey·BPM

Every move from 10A

11ASimple Mix Upper
9ASimple Mix Downer
10BTonal Shift·
11BDiagonal Mix Upper
9BDiagonal Mix Downer
7BCompatible Tone·
12AHigh Energy Boost▲▲▲
8AHigh Energy Drain▼▼▼
1AParallel Key Upper▲▲
7AParallel Key Downer▼▼
5ATritone Jump▲▲
2ARelated Keyrisky

How to mix it

In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

#TrackKey·BPM

More tech house

#TrackKey·BPM

More from Max Chapman

Full profile
#TrackKey·BPM

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#TrackKey·BPM

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