
Jelly Bean
30s preview
- Key
- 4A · F minor
- BPM
- 122
- Open Key
- 9m
- Energy
- 92/100
- Pop
- 8/100
- Length
- 8:26
- Released
- 2016
- Genre
- Tech House
- Label
- Systematic
- Loudness
- -6.5 dB
- Dynamics
- 12.5 dB
- ISRC
- DEPI81600075
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
A club-tempo tech house cut, Jelly Bean sits in F minor (4A) at 122 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. Brighter than 97% of Sébastien Léger's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 79% of Sébastien Léger's catalogue
- Groove:
- groovier than 77% of Sébastien Léger's catalogue
- Energy:
- hotter than 76% of Sébastien Léger's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Jelly Bean in?
Jelly Bean by Sébastien Léger is in F minor, or 4A on the Camelot wheel.
What BPM is Jelly Bean?
Jelly Bean runs at 122 BPM, a club-tempo track.
What mixes well with Jelly Bean?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Jelly Bean good for peak time?
With energy 92 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 122 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Sébastien Léger
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.