Justice - Original Mix
30s preview
- Key
- 9A · E minor
- BPM
- 122
- Open Key
- 2m
- Energy
- 93/100
- Pop
- 0/100
- Length
- 7:42
- Released
- 2014
- Album
- Konnekted - EP
- Genre
- Progressive House
- Loudness
- -9.4 dB
- Dynamics
- 10.3 dB
- ISRC
- DEBW21400038
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Justice - Original Mix is a club-tempo progressive house track in E minor (9A) at 122 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2014 production that still circulates in sets. More underground than 99% of Roy Rosenfeld's catalogue. For programming, treat it as a floor-filler.
- Energy:
- hotter than 92% of Roy Rosenfeld's catalogue
- Groove:
- less groove-driven than 82% of Roy Rosenfeld's catalogue
- Tempo:
- slower than 80% of Roy Rosenfeld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 25%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 13%
- High
- 2.5-11 kHz
FAQ
What key is Justice - Original Mix in?
Justice - Original Mix by Roy Rosenfeld is in E minor, or 9A on the Camelot wheel.
What BPM is Justice - Original Mix?
Justice - Original Mix runs at 122 BPM, a club-tempo track.
What mixes well with Justice - Original Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Justice - Original Mix good for peak time?
With energy 93 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 122 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Roy Rosenfeld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
